6:00 PM–8:30 PM Maison Française East Gallery, Buell Hall
Kader Attia, in conversation with Souleymane Bachir Diagne
To RSVP, please click here. Kader Attia will present his film Reflecting Memory (2016, 48 min.), followed by an in-depth dialogue with Souleymane Bachir Diagne about the idea of "repairing the invisible" in his art and how notions of repair emerge in relationship with art, language and memory.
Kader Attia is an internationally prominent French-Algerian artist who lives and works in Berlin and Algiers. Born in 1970, Kader Attia, grew up in Paris and in Algeria. Preceding his studies at the École Supérieure des Arts Appliqués Duperré and the École Nationale Supérieure des Arts Décoratifs in Paris, and at Escola Massana, Centre d’Art i Disseny in Barcelona, he spent several years in Congo and in South America.
Souleymane Bachir Diagne is Professor at Columbia University. An alumnus of the École Normale Supérieure, he holds an agrégation in Philosophy (1978) and he took his Doctorat d’État in philosophy at the Sorbonne (1988) where he also took his BA (1977). Before joining Columbia University in 2008 he taught philosophy for many years at Cheikh Anta Diop University, Dakar (Senegal) and at Northwestern University. His field of research includes history of logic, history of philosophy, Islamic philosophy, African philosophy and literature. He is the author of African Art as Philosophy: Senghor, Bergson, and the Idea of Negritude (Seagull Books, 2011), The Ink of the Scholars: Reflections on Philosophy in Africa, (Dakar, Codesria, 2016), Open to Reason: Muslim Philosophers in Conversation with Western Tradition, (New York, Columbia University Press, 2018).
His experience with different cultures, the histories of which over centuries have been characterized by rich trading traditions, colonialism and multi-ethnic societies, has fostered Kader Attia’s intercultural and interdisciplinary approach to research. For many years, he has been exploring the perspective that societies have on their history, especially as regards experiences of deprivation and suppression, violence and loss, and how this affects the evolving of nations and individuals — each of them being connected to collective memory.
His socio-cultural research has led Kader Attia to the notion of Repair, a concept he has been developing philosophically in his writings and symbolically in his oeuvre as a visual artist. With the principle of Repair being a constant in nature — thus also in humanity —, any system, social institution or cultural tradition can be considered as an infinite process of Repair, which is closely linked to loss and wounds, to recuperation and re-appropriation. Repair reaches far beyond the subject and connects the individual to gender, philosophy, science, and architecture, and also involves it in evolutionary processes in nature, culture, myth and history.
In 2016, Kader Attia founded La Colonie, a space in Paris to share ideas and to provide an agora for vivid discussion. Focusing on decolonization not only of peoples but also of knowledge, attitudes and practices, it aspires to de-compartmentalize knowledge by a trans-cultural, trans-disciplinary and trans-generational approach. Driven by the urgency of social and cultural reparations, it aims to reunite which has been shattered, or drifted apart.
Kader Attia’s work has been featured in numerous group shows, biennals, and solo exhibitions (see here for full list). In 2016, he was awarded with the Marcel Duchamp Prize, followed by the Prize of the Miró Foundation, Barcelona, and the Yanghyun Art Prize, Seoul, in 2017. His new exhibition, Mirrors of Emotion, is visible in New York, at Lehmann Maupin, September 10 - October 26, 2019, more information at: https://www.lehmannmaupin.com/exhibitions/kader-attia5
New York Times Article
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This event is co-sponsored by Columbia Maison Francaise and Columbia University School of the Arts.
IMAGE: Réfléchir la Mémoire / Reflecting Memory (film still), 2016, single-channel HD video projection, color, dimensions variable, duration: 45 minutes, 56 seconds. Courtesy the artist and Lehmann Maupin, New York, Hong Kong, and Seoul.